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Meghan Daum on What We've Lost in the Los Angeles Wildfires
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Meghan Daum on What We've Lost in the Los Angeles Wildfires

"The Unspeakable" host talks with Nancy and Sarah about learning her Altadena home burned, the conspiracies and celebs, and why LA -- one of the world's great creative centers -- will come back

On Tuesday morning, essayist and Unspeakable pod host Meghan Daum snapped a photo of her “Yeti-doodle” outside her home in Altadena, California. “Someone is loving the Santa Ana winds today,” she tweeted.

Were the winds a reason to evacuate? Not according to Meghan’s neighbor.

“She said, ‘Oh, this has happened before, let’s just keep an eye on it, there’s nothing to worry about,” Meghan recalls. Nevertheless, she and Hugo evacuated later that day. The next morning, she learned her house had burned to the ground, along with nearly everything she owned.

Meghan joins Nancy and Sarah to talk about the worst fires ever recorded in Southern California — what it was like, the blame game that both sides are playing, the surreal celebrity angle, and why you don’t actually have to tweet.

This is a free episode, cross-posted at Smoke ‘Em If You Got ‘Em. Feel free to…

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Meghan and Hugo

Meghan Daum records a special episode of her podcast:

The Unspeakable with Meghan Daum
Special Episode: Letter From the Los Angeles Fires
Some thoughts about the city, the fires, and how to even begin to think about this…
Listen now

Fire fire everywhere, including one that took down Meghan’s house …

Another in Malibu …

And in Pacific Palisades …

Do Los Angeles writers make mythos of what happens when the Santa Anas blow? They do. If you, like Meghan have heard the Chandler quote, “On nights like that, every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks,” enough times in the past 48 hours (also, Didion…)

… you might try John McPhee’s “Los Angeles Against the Mountains,” and the story of what happened to the Genofile family. A generous clip, to let you know what people are up against also, in the land of milk and honey:

The Genofiles had two teen-age children, whose rooms were on the uphill side of the one-story house. The window in Scott’s room looked straight up Pine Cone Road, a cul-de-sac, which, with hundreds like it, defined the northern limit of the city, the confrontation of the urban and the wild. Los Angeles is overmatched on one side by the Pacific Ocean and on the other by very high mountains. With respect to these principal boundaries, Los Angeles is done sprawling. The San Gabriels, in their state of tectonic youth, are rising as rapidly as any range on earth. Their loose inimical slopes flout the tolerance of the angle of repose. Rising straight up out of the megalopolis, they stand ten thousand feet above the nearby sea, and they are not kidding with this city. Shedding, spalling, self-destructing, they are disintegrating at a rate that is also among the fastest in the world. The phalanxed communities of Los Angeles have pushed themselves hard against these mountains, an aggression that requires a deep defense budget to contend with the results. Kimberlee Genofile called to her mother, who joined her in Scott’s room as they looked up the street. From its high turnaround, Pine Cone Road plunges downhill like a ski run, bending left and then right and then left and then right in steep christiania turns for half a mile above a three-hundred-foot straightaway that aims directly at the Genofiles’ house. Not far below the turnaround, Shields Creek passes under the street, and there a kink in its concrete profile had been plugged by mud and a six-foot boulder. Hence the silence of the creek. The water was now spreading over the street. It descended in heavy sheets. As the young Genofiles and their mother glimpsed it in the all but total darkness, the scene was suddenly illuminated by a blue electrical flash. In the blue light they saw a massive blackness, moving. It was not a landslide, not a mudslide, not a rock avalanche; nor by any means was it the front of a conventional flood. In Jackie’s words, “It was just one big black thing coming at us, rolling, rolling with a lot of water in front of it, pushing the water, this big black thing. It was just one big black hill coming toward us.”

In geology, it would be known as a debris flow. Debris flows amass in stream valleys and more or less resemble fresh concrete. They consist of water mixed with a good deal of solid material, most of which is above sand size. Some of it is Chevrolet size. Boulders bigger than cars ride long distances in debris flows. Boulders grouped like fish eggs pour downhill in debris flows. The dark material coming toward the Genofiles was not only full of boulders; it was so full of automobiles it was like bread dough mixed with raisins. On its way down Pine Cone Road, it plucked up cars from driveways and the street. When it crashed into the Genofiles’ house, the shattering of safety glass made terrific explosive sounds. A door burst open. Mud and boulders poured into the hall. We’re going to go, Jackie thought. Oh, my God, what a hell of a way for the four of us to die together.

The parents’ bedroom was on the far side of the house. Bob Genofile was in there kicking through white satin draperies at the panelled glass, smashing it to provide an outlet for water, when the three others ran in to join him. The walls of the house neither moved nor shook. As a general contractor, Bob had built dams, department stores, hospitals, six schools, seven churches, and this house. It was made of concrete block with steel reinforcement, sixteen inches on center. His wife had said it was stronger than any dam in California. His crew had called it “the fort.” In those days, twenty years before, the Genofiles’ acre was close by the edge of the mountain brush, but a developer had come along since then and knocked down thousands of trees and put Pine Cone Road up the slope. Now Bob Genofile was thinking, I hope the roof holds. I hope the roof is strong enough to hold. Debris was flowing over it. He told Scott to shut the bedroom door. No sooner was the door closed than it was battered down and fell into the room. Mud, rock, water poured in. It pushed everybody against the far wall. “Jump on the bed,” Bob said. The bed began to rise. Kneeling on it—on a gold velvet spread—they could soon press their palms against the ceiling. The bed also moved toward the glass wall. The two teen-agers got off, to try to control the motion, and were pinned between the bed’s brass railing and the wall. Boulders went up against the railing, pressed it into their legs, and held them fast. Bob dived into the muck to try to move the boulders, but he failed. The debris flow, entering through windows as well as doors, continued to rise. Escape was still possible for the parents but not for the children. The parents looked at each other and did not stir. Each reached for and held one of the children. Their mother felt suddenly resigned, sure that her son and daughter would die and she and her husband would quickly follow. The house became buried to the eaves. Boulders sat on the roof. Thirteen automobiles were packed around the building, including five in the pool. A din of rocks kept banging against them. The stuck horn of a buried car was blaring. The family in the darkness in their fixed tableau watched one another by the light of a directional signal, endlessly blinking. The house had filled up in six minutes, and the mud stopped rising near the children’s chins.

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Of the 46,000 California-themed songs from which to choose, we went with The Decemberists

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